Duke the Program In Literature

    • Publications of Rey Chow

      • Books

          • R. Chow.
          • Entanglements, or Transmedial Thinking about Capture.
          • Duke University Press,
          • 2012.
          • R. Chow.
          • The Rey Chow Reader.
          • New York: Columbia University Press,
          • 2010.
          • R. Chow.
          • Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility.
          • Columbia University Press,
          • 2007.
          • R. Chow.
          • The Age of the World Target: Self-Referentiality in War, Theory, and Comparative Work.
          • Duke University Press,
          • 2006.
          • R. Chow.
          • Il sogno di Butterfly: costellazioni postcoloniali.
          • Rome: Meltemi Editore,
          • 2004.
          • R. Chow.
          • The Protestant Ethnic and the Spirit of Capitalism.
          • Columbia University Press,
          • 2002.
          • Edited with intro.
          • Modern Chinese Literary and Cultural Studies in the Age of Theory: Reimagining a Field.
          • Duke UP,
          • 2000.
          • R. Chow.
          • Ethics after Idealism: Theory – Culture – Ethnicity – Reading.
          • Indiana University Press,
          • 1998.
          • R. Chow.
          • Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema.
          • Columbia University Press,
          • 1995.
          • R. Chow.
          • Xie zai jia guo yi wai.
          • Hong Kong: Oxford UP,
          • 1995.
          • R. Chow.
          • Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies.
          • Indiana University Press,
          • 1993.
          • R. Chow.
          • Woman and Chinese Modernity: The Politics of Reading Between West and East.
          • University of Minnesota Press,
          • 1991.
      • Edited Volumes

          • Modern Chinese Literary and Cultural Studies in the Age of Theory: Reimagining a Field.
          • Ed. R. Chow.
          • Duke University Press,
          • 2000.
          • Edited with intro..
      • Special Issues

          • Co-edited with intro, with James A. Steintrager, eds.
          • The Sense of Sound.
          • differences
          • 22
          • .2-3
          • (December, 2011)
          • .
          • Co-edited with intro, with Reda Bensmaia, eds.
          • Between Languages.
          • Comparative Literature Studies
          • ,
          • Ed. R. Chow & Réda Bensmaïa.
          • 42
          • .4
          • (2005)
          • .
          • (With Intro.)
          • Edited with intro, eds.
          • Writing in the Realm of the Senses.
          • differences
          • 11
          • .2
          • (1999)
          • .
          • Edited with intro., eds.
          • Modern Chinese Literary and Cultural Studies in the Age of Theory: Reimagining a Field.
          • boundary2
          • ,
          • Ed. Rey Chow.
          • 25
          • .3
          • (Fall, 1998)
          • .
          • (Shorter version.)
          • Edited with intro, eds.
          • On Chineseness as a Theoretical Problem.
          • boundary 2
          • Special Issue on Modern Chinese Literary and Cultural Studies in the Age of Theory,
          • 25
          • .3
          • (Fall, 1998)
          • 1-24.
      • Articles in a Journal

          • R. Chow.
          • "China as Documentary: Basic Questions (Inspired by Michelangelo Antonioni and Jia Zhangke)."
          • European Journal of Cultural Studies 0 (0)
          • .
          • Ed. Jeroen de Kloet and Yiu-fai Chow.
          • (Looking after Europe),
          • (2013)
          • :
          • 1-15.
          • R. Chow.
          • "Remains' Regime Change?."
          • World Picture
          • 8
          • (spring 2013)
          • .
          • (online journal)
          • R. Chow.
          • "The Subject of Chinglish."
          • Testo a Fronte: teoria e practica della traduzione letteraria 48 (1 semestre)
          • .
          • Ed. Tim Parks and Eduardo Zuccato.
          • "Towards a Global Literature/Verso una letteratura globalizzata",
          • (2013)
          • :
          • 155-62.
          • R. Chow.
          • "On the Graphic in Postmodern Theoretical Writing."
          • Twentieth-Century Literature
          • special issue on Postmodernism, Then,
          • 57
          • .3&4
          • (Fall/Winter, 2011)
          • :
          • 372-79.
          • R. Chow.
          • "Framing the Original: toward a New Visibility of the Orient."
          • PMLA
          • (May, 2011)
          • :
          • 555-63.
          • R. Chow and James A. Steintrager.
          • "In Pursuit of Sound: an Introduction."
          • differences
          • 22
          • .2-3
          • (2011)
          • :
          • 1-9.
          • (Special Issue, "The Sense of Sound")
          • R. Chow.
          • "Response: Fleeing Objects."
          • Postcolonial Studies (Special Issue: Rey Chow, Postcoloniality and Interdisciplinarity)
          • 13
          • .3
          • (2010)
          • :
          • 303-304.
          • R. Chow.
          • "'I insist on the Christian dimension’: On Forgiveness … and the Outside of the Human."
          • differences
          • 20
          • .2-3
          • (Summer/Fall, 2009)
          • :
          • 224-249.
          • R. Chow.
          • "The Provocation of 'Dim Sum'; or, Making Diaspora Visible on Film."
          • Journal of Modern Literature in Chinese
          • 9
          • .2
          • (July, 2009)
          • :
          • 208-17.
          • R. Chow.
          • "Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility."
          • Journal of Gender Studies
          • 12
          • Japan: Ochanomizu University,
          • (2009)
          • :
          • 35-51.
          • Chapter 4 reprinted (with responses)..
          • R. Chow.
          • "Translator, Traitor; Translator, Mourner (or, Dreaming of Intercultural Equivalence)."
          • New Literary History
          • 39
          • .3
          • (Summer, 2008)
          • :
          • 565-580.
          • R. Chow.
          • "Reading Derrida on Being Monolingual."
          • New Literary History
          • 39
          • .2
          • (Spring, 2008)
          • :
          • 217-231.
          • R. Chow.
          • "American Studies in Japan; Japan in American Studies: Challenges of the Heterolingual Address."
          • Nanzan Review of American Studies (Japan)
          • 30
          • (2008)
          • :
          • 47-61.
          • R. Chow.
          • "A Filmic Staging of Postwar Geotemporal Politics: Kurosawa Akira’s 'No Regrets for Our Youth', Sixty Years Later."
          • boundary 2
          • 34
          • .1
          • (Spring, 2007)
          • :
          • 67-77.
          • R. Chow.
          • "Woman,’ Fetish, Particularism: Articulating Chinese Cinema with a Cross-Cultural Problematic."
          • Journal of Chinese Cinemas
          • 1
          • .3
          • (2007)
          • :
          • 209-221.
          • R. Chow.
          • "Sacrifice, Mimesis, and the Theorizing of Victimhood."
          • Representations
          • 94
          • (Spring, 2006)
          • :
          • 131-149.
          • Reprinted in _Impasses of the Post-Global: Theory in the Era of Climate Change_, ed. H. Sussman, Open UP, 2012, 142-68.
          • R. Chow.
          • "The Seductions of Homecoming: Place, Authenticity, and Chen Kaige’s 'Temptress Moon'."
          • Genre, Gender, Race, and World Cinema.
          • Ed. J. Codell.
          • Wiley,
          • 2006.
          • 408-423.
          • Reprint.
          • R. Chow.
          • "The Interruption of Referentiality: Poststructuralism and the Conundrum of Critical Multiculturalism."
          • The Critical Tradition: Classic Texts and Contemporary Trends.
          • Ed. D. Richter.
          • 3rd edition,
          • Bedford/St. Martins,
          • 2006.
          • Reprint.
          • R. Chow.
          • "An Addiction from Which We Never Get Free."
          • New Literary History
          • Essays on the Humanities,
          • 36
          • .1
          • (Winter, 2005)
          • :
          • 47-55.
          • R. Chow.
          • ""Epistemologically Disenfranchised?” response to Bill Brown, “The Dark Wood of Postmodernity"."
          • PMLA
          • (May, 2005)
          • :
          • 874-876.
          • R. Chow.
          • ""Have You Eaten?’ – Inspired by an Exhibit,” forum on E. Said."
          • Amerasia Journal
          • 31
          • .1
          • (2005)
          • :
          • 19-22.
          • R. Chow.
          • "Toward an Ethics of Postvisuality: Some Thoughts on the Recent Work of Zhang Yimou."
          • Poetics Today
          • 25
          • .4
          • (Winter, 2004)
          • :
          • 673-688.
          • R. Chow.
          • "A Pain in the Neck, a Scene of ‘Incest,’ and Other Enigmas of an Allegorical Cinema: Ts’ai Ming-liang’s 'The River'."
          • The New Centennial Review
          • 4
          • .1
          • (Spring, 2004)
          • :
          • 123-142.
          • R. Chow.
          • "The Old/New Question of Comparison in Literary Studies."
          • ELH (English Literary History)
          • 71
          • (2004)
          • :
          • 289-311.
          • R. Chow.
          • "Sentimental Returns: On the Uses of the Everyday in the Recent Films of Zhang Yimou and Wong Kar-wai."
          • New Literary History
          • 33
          • .4
          • (Fall, 2002)
          • :
          • 639-654.
          • R. Chow.
          • "A Phantom Discipline."
          • PMLA
          • 116
          • .5
          • (October, 2001)
          • :
          • 1386-1395.
          • R. Chow.
          • "Fateful Attachments: On Collecting, Fidelity, and Lao She."
          • Critical Inquiry
          • 28
          • .1
          • (Fall, 2001)
          • :
          • 286-304.
          • R. Chow.
          • "Response to Carol Quillen, “Feminist Theory, Justice, and the Lure of the Human"."
          • Signs
          • 27
          • .1
          • (Fall, 2001)
          • :
          • 135-136.
          • R. Chow.
          • "Larry Feign, Ethnographer of a ‘Lifestyle’ — Political Cartoons from Hong Kong."
          • Chain
          • 8
          • (Summer, 2001)
          • :
          • 71-82.
          • Reprint.
          • R. Chow.
          • "How (the) Inscrutable Chinese Led to Globalized Theory."
          • PMLA
          • 116
          • .1
          • (February, 2001)
          • :
          • 69-74.
          • R. Chow.
          • "The Secrets of Ethnic Abjection."
          • Traces
          • 2
          • (2001)
          • :
          • 53-77.
          • R. Chow.
          • "Response to Question about Field of Study."
          • PMLA
          • 115
          • .7
          • (December, 2000)
          • :
          • 2037.
          • R. Chow.
          • "Playing on the Air: Recollections of a Hong Kong Childhood."
          • Polygraph ( “Margins of Global Culture”)
          • 11
          • (1999)
          • :
          • 151-165.
          • Reprint.
          • R. Chow.
          • "Consumption and Eccentric Writing: Notes on Two Hong Kong Writers."
          • Communal/Plural
          • 7
          • .1
          • (1999)
          • :
          • 45-58.
          • R. Chow.
          • "Nostalgia of the New Wave: Structure in Wong Kar-wai’s Happy Together."
          • camera obscura
          • 42
          • (1999)
          • :
          • 31-48.
          • R. Chow.
          • "Seminal Dispersal, Fecal Retention, and Related Narrative Matters: Eileen Chang’s Tale of Roses in the Problematic of Modern Writing."
          • differences
          • 11
          • .2
          • (1999)
          • :
          • 153-176.
          • R. Chow.
          • "When Whiteness Feminizes … : Some Consequences of a Supplementary Logic."
          • differences
          • 11
          • .3
          • (1999-2000)
          • :
          • 137-168.
          • R. Chow.
          • "“King Kong in Hong Kong: Watching the ‘Handover,’ from the USA."
          • Social Text
          • 55
          • (Summer, 1998)
          • :
          • 93-108.
          • R. Chow.
          • "The Seductions of Homecoming: Place, Authenticity, and Chen Kaige’s 'Temptress Moon'."
          • Narrative
          • 6
          • .1
          • (January, 1998)
          • :
          • 3-17.
          • R. Chow.
          • "The Postcolonial Difference: Lessons in Cultural Legitimation."
          • Postcolonial Studies
          • 1
          • .2
          • (1998)
          • :
          • 161-169.
          • R. Chow.
          • "Can One Say No to China?."
          • New Literary History
          • 28
          • (Winter, 1997)
          • :
          • 147-151.
          • R. Chow.
          • "Playing on the Air: Recollections of a Hong Kong Childhood."
          • Journal of Modern Literature in Chinese
          • 1
          • .1
          • Hong Kong: Lingnan College,
          • (July, 1997)
          • :
          • 109-127.
          • R. Chow.
          • "Yao minzhu haishi yao yapian?."
          • Xin bao (Hong Kong Economic Journal)
          • (July 15-16, 1997)
          • .
          • R. Chow.
          • "Larry Feign, Ethnographer of a ‘Lifestyle’ — Political Cartoons from Hong Kong."
          • boundary2
          • 24
          • .2
          • (1997)
          • :
          • 21-45.
          • R. Chow.
          • "We Endure, therefore We Are: Survival, Governance, and Zhang Yimou’s 'To Live'."
          • South Atlantic Quarterly
          • 95
          • .4
          • (Fall, 1996)
          • :
          • 1039-1064.
          • R. Chow.
          • "“The Politics of Admittance: Female Sexual Agency, Miscegenation, and the Formation of Community in Frantz Fanon."
          • UTS Review (Sydney, Australia)
          • 1
          • .1
          • (1995)
          • :
          • 5-29.
          • R. Chow.
          • "A Souvenir of Love."
          • Modern Chinese Literature
          • 7
          • .2
          • (Fall, 1993)
          • :
          • 59-78.
          • R. Chow.
          • "Things, Common/Places, Passages of the Port City: On Hong Kong and Hong Kong Author Leung Ping-kwan."
          • differences
          • 5
          • .3
          • (Fall, 1993)
          • :
          • 179-204.
          • R. Chow.
          • "Ethics after Idealism."
          • Diacritics
          • 23
          • .1
          • (Spring, 1993)
          • :
          • 3-22.
          • R. Chow.
          • "Response."
          • Polygraph ( “Marxism Beyond Marxism6/7”)
          • (1993)
          • :
          • 209-211.
          • R. Chow.
          • "Between Colonizers: Hong Kong’s Postcolonial Self-Writing in the 1990s."
          • Diaspora
          • 2
          • .2
          • (Fall, 1992)
          • :
          • 151-170.
          • R. Chow.
          • "Trust, Pedagogy, Chinese Intellectuals in the 1990s – Fragments of a Post-Catastrophic Discourse."
          • Dialectical Anthropology
          • 16
          • (1991)
          • :
          • 191-207.
          • R. Chow.
          • "Male Narcissism and National Culture: Subjectivity in Chen Kaige’s 'King of the Children'."
          • camera obscura
          • 25/26
          • (1991)
          • :
          • 9-40.
          • R. Chow.
          • "The Politics and Pedagogy of Asian Literatures in American Universities."
          • differences
          • 2
          • .3
          • (Fall, 1990)
          • :
          • 29-51.
          • R. Chow.
          • "Listening Otherwise, Music Miniaturized: A Different Type of Question about Revolution."
          • Discourse
          • (Fall/Winter, 1990-1991)
          • :
          • 129-148.
          • R. Chow.
          • "Silent is the Ancient Plain: Music, Film-making, and the Conception of Reform in China’s New Cinema."
          • Discourse
          • (Spring/Summer, 1990)
          • :
          • 82-109.
          • R. Chow.
          • "Walter Benjamin’s Love Affair with Death."
          • New German Critique
          • (Fall, 1989)
          • :
          • 63-86.
          • R. Chow.
          • "Violence in the Other Country: Preliminary Remarks on the ‘China Crisis,’ June 1989."
          • Radical America
          • (September, 1989)
          • :
          • 23-32.
          • R. Chow.
          • "Virtuous Transactions: A Reading of Three Stories by Ling Shuhua."
          • Modern Chinese Literature
          • 4
          • .1 & 2
          • (Fall, 1988)
          • :
          • 71-86.
          • R. Chow.
          • "Rereading Mandarin Ducks and Butterflies: A Response to the ‘Postmodern’ Condition."
          • Cultural Critique
          • 5
          • (Winter, 1986)
          • :
          • 69-94.
          • R. Chow.
          • "Roland Barthes: 'Empire of Signs'."
          • Constructions
          • (1986)
          • :
          • 17-24.
      • Articles in a Collection

          • R. Chow.
          • "Things, Commonplaces, Passages of a Port City: On Hong Kong and Hong Kong Author Leung Ping-kwan.."
          • Sinophone Studies: A Critical Reader.
          • Ed. S. Shih, C. Tsai, and B. Bernards.
          • New York:
          • Columbia UP,
          • 2014.
          • 207-226.
          • Reprint.
          • R. Chow.
          • "Fetish Power Unbound: A Small History of 'Woman' in Chinese Cinema."
          • The Oxford Handbook of Chinese Cinemas.
          • Ed. C. Rojas and E. Chow.
          • Oxford UP,
          • 2013.
          • 490-506.
          • R. Chow.
          • "On Chineseness as a Theoretical Problem.."
          • Sinophone Studies: A Critical Reader.
          • Ed. S. Shih, C. Tsai, and B. Bernards.
          • New York:
          • Columbia UP,
          • 2013.
          • 43-56.
          • Reprint of excerpt.
          • R. Chow.
          • "The Provocation of _Dim Sum_; or, Making Diaspora Visible on Film."
          • Diasporic Chineseness after the Rise of China: Communities and Cultural Production.
          • Ed. J. Kuehn, K. Louie, and D. M. Pomfret.
          • Vancouver:
          • University of British Columbia P,
          • 2013.
          • 100-110.
          • Reprint.
          • R. Chow.
          • "What Does It Mean to Enjoy Life? Yang Fudong's _An Estranged Paradise_."
          • Yang Fudong.
          • Ed. P. Pirotte and B. Ruf.
          • UC Berkeley Art Museum and Pacific Film Archive; Kunsthalle Zurich,
          • 2013.
          • 129-30; 148-49 (German translation).
          • R. Chow and Pooja Rangan.
          • "Race, Racism, and Postcoloniality."
          • The Oxford Handbook of Postcolonial Studies.
          • Ed. Graham Huggan.
          • Oxford UP,
          • 2013.
          • 396-411.
          • R. Chow.
          • "Ye Si yu shuqing."
          • Harvard History of Modern Chinese Literature.
          • Ed. David Der-wei Wang et al.
          • Harvard UP,
          • 2015, forthcoming.
          • R. Chow.
          • "After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications."
          • Ranciere and Film.
          • Ed. Paul Bowman.
          • Edinburgh UP,
          • 2013.
          • 34-52.
          • R. Chow and James A. Steintrager.
          • "Mediation/Medium."
          • Keywords in German Aesthetics.
          • Ed. J.D. Mininger and J.M. Peck.
          • Harvard University Press,
          • 2013-14, forthcoming.
          • R. Chow.
          • "The Dream of a Butterfly."
          • Asian American Literature, Vol IV.
          • Ed. David Liwei Li.
          • Routledge,
          • 2012.
          • 92-117.
          • Reprint.
          • R. Chow.
          • "When Reflexivity Becomes Porn: Mutations of a Modernist Theoretical Practice."
          • Theory after Theory.
          • Ed. J. Elliott and D. Attridge.
          • Routledge,
          • 2011.
          • 135-48.
          • R. Chow and Julian Rohrhuber.
          • "On Captivation: A Remainder from the 'Indistinction of Art and Nonart'."
          • Reading Ranciere.
          • Ed. P. Bowman and R. Stamp.
          • Continuum,
          • 2011.
          • 44-72.
          • R. Chow.
          • "Excerpts from WRITING DIASPORA, 116-19."
          • Feminist Literary Theory: A Reader, 3d Edition.
          • Ed. Mary Eagleton.
          • Wiley-Blackwell,
          • 2011.
          • 407-10.
          • R. Chow.
          • "A Discipline of Tolerance."
          • A Companion to Comparative Literature.
          • Ed. D. Thomas and A. Behdad.
          • Blackwell,
          • 2011.
          • 15-27.
          • R. Chow.
          • "'I insist on the Christian dimension’: On Forgiveness … and the Outside of the Human."
          • Das Planetarische: Kultur-Technik-Medien im postglobalen Zeitalter
          • .
          • Ed. U. Bergermann et al..
          • Munich: Fink Verlag,
          • (2010)
          • :
          • 203-20.
          • Reprint in German, trans. C. Kotte.
          • R. Chow.
          • "Reading Derrida on Being Monolingual."
          • Enduring Resistance: Cultural Theory after Derrida / La Résistance persévère: la théorie de la culture (d’)après Derrida.
          • Ed. S. Houppermann.
          • Amsterdam: Rodopi,
          • 2010.
          • 193-214.
          • Reprint.
          • R. Chow.
          • "Postcolonial Visibilities: Questions Inspired by Deleuze’s Method."
          • Deleuze and the Postcolonial.
          • Ed. S. Bignall & P. Patton.
          • Edinburgh:University of Edinburgh Press,
          • 2010.
          • 62-77.
          • R. Chow.
          • "When Reflexivity Becomes Porn: Mutations of a Modernist Theoretical Practice."
          • Theory after Theory.
          • Ed. J. Elliott & D. Attridge.
          • Blackwell,
          • 2010.
          • R. Chow.
          • "The Elusive Material, What the Dog Doesn’t Understand."
          • New Materialisms: Ontology, Agency, and Politics.
          • Ed. S. Frost & D. Coole.
          • Duke University Press,
          • 2010.
          • 221-33.
          • R. Chow.
          • "Thinking with Food, Writing off Center: Notes on Two Hong Kong Authors."
          • Global Chinese Literature.
          • Ed. J. Tsu and D. Wang.
          • Leiden: Brill,
          • 2011.
          • 133-55.
          • This is a substantially revised and expanded version of 'Consumption and Eccentric Writing: Notes on Two Hong Kong Writers'.
          • R. Chow.
          • "American Studies in Japan; Japan in American Studies: Challenges of the Heterolingual Address."
          • Asian Perspectives 2.
          • Institute for East Asian Studies, SungKongHoe U, Korea,
          • 2009.
          • Reprint in Korean.
          • R. Chow.
          • "Chapter 8 of 'Sentimental Fabulations, Contemporary Chinese Films'."
          • Commitment and Complicity – Cultural Theory and Practice.
          • Ed. Özden Firat et al..
          • New York: Palgrave/Macmillan,
          • 2009.
          • 64-77.
          • Reprinted..
          • R. Chow.
          • "Chapter 8 of 'Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility'."
          • A Time for the Humanities: Futurity and the Limits of Autonomy.
          • Ed. J. Bono, T. Dean, & E. Ziarek.
          • New York: Fordham University Press,
          • 2008.
          • 94-106.
          • Reprinted..
          • R. Chow.
          • "Seminal Dispersal, Fecal Retention, and Related Narrative Matters: Eileen Chang’s Tale of Roses in the Problematic of Modern Writing."
          • Sinographies.
          • Ed. E. Hayot et al..
          • University of Minnesota Press,
          • 2008.
          • 355-377.
          • R. Chow.
          • "Not One Less: The Fable of a Migration."
          • Chinese Films in Focus II.
          • Ed. C. Berry.
          • British Film Institute,
          • 2008.
          • R. Chow.
          • "Woman and Chinese Modernity: The Politics of Reading Between West and East."
          • Asian Cinemas: A Reader and Guide.
          • Ed. D. Eleftheriotis & G. Needham.
          • Edinburgh: Edinburgh University Press,
          • 2006.
          • 168-199.
          • Chapter I reprinted.
          • R. Chow.
          • "Sentimental Returns: On the Uses of the Everyday in the Recent Films of Zhang Yimou and Wong Kar-wai."
          • Reading Chinese Transnationalisms: Society, Literature, Film.
          • Ed. M. Ng & P. Holden.
          • Hong Kong: Hong Kong University Press,
          • 2006.
          • 173-187.
          • R. Chow.
          • "Poststructuralism: Theory as Critical Self-Consciousness."
          • The Cambridge Companion to Feminist Literary Theory.
          • Ed. E. Rooney.
          • Cambridge University Press,
          • 2006.
          • 195-210.
          • R. Chow.
          • "Against the Lures of Diaspora: Minority Discourse, Chinese Women, and Intellectual Hegemony."
          • Postcolonialisms: An Anthology of Cultural Theory and Criticism.
          • Ed. G. Desai & S. Nair.
          • Rutgers University Press,
          • 2005.
          • 589-607.
          • Reprint.
          • R. Chow.
          • "Nostalgia of the New Wave: Structure in Wong Kar-wai’s 'Happy Together'."
          • Between Home and World: A Reader in Hong Kong Cinema.
          • Ed. E. Cheung & Y.W.Chu.
          • Hong Kong: Oxford University Press,
          • 2004.
          • 127-146.
          • Reprint.
          • R. Chow.
          • "Fateful Attachments: On Collecting, Fidelity, and Lao She."
          • Things.
          • Ed. B. Brown.
          • University of Chicago Press,
          • 2004.
          • 362-380.
          • R. Chow.
          • "Sexuality."
          • A Concise Companion to Feminist Theory.
          • Ed. M. Eagleton.
          • Blackwell,
          • 2003.
          • 93-110.
          • R. Chow.
          • "Where Have All the Natives Gone?."
          • Feminist Postcolonial Theory: A Reader.
          • Ed. R. Lewis & S. Mills.
          • Routledge,
          • 2003.
          • 324-329.
          • Reprint.
          • R. Chow.
          • "Against the Lures of Diaspora: Minority Discourse, Chinese Women, and Intellectual Hegemony."
          • Theorizing Diaspora: A Reader.
          • Ed. J.E. Braziel & A. Mannur.
          • Blackwell,
          • 2003.
          • 163-183.
          • Reprint.
          • R. Chow.
          • "The Seductions of Homecoming: Place, Authenticity, and Chen Kaige’s 'Temptress Moon'."
          • Rethinking Third Cinema.
          • Ed. A. R. Guneratne & W. Dissanayake.
          • Routledge,
          • 2003.
          • 166-180.
          • Reprint.
          • R. Chow.
          • "Fateful Attachments: On Collecting, Fidelity, and Lao She."
          • Reading East Asian Writing: The Limits of Literary Theory.
          • Ed. M. Hockx & I. Smits.
          • Routledge Curzon,
          • 2003.
          • 1-21.
          • R. Chow.
          • "The Resistance of Theory; or, the Worth of Agony."
          • Just Being Difficult? Academic Writing in the Public Arena.
          • Ed. J. Culler & K. Lamb.
          • Stanford University Press,
          • 2003.
          • 95-105.
          • R. Chow.
          • "Not One Less: The Fable of a Migration."
          • Chinese Films in Focus: 25 Takes.
          • Ed. C. Berry.
          • British Film Institute,
          • 2003.
          • 144-151.
          • R. Chow.
          • "Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema."
          • Celluloid China: Cinematic Encounters with Culture and Society.
          • Ed. H. Kuoshu.
          • Southern Illinois University Press,
          • 2002.
          • 233-247.
          • Part 2, Chapter 1 excerpted and reprinted..
          • R. Chow.
          • "The Dream of a Butterfly."
          • Comparative Political Culture in the Age of Globalization: An Introductory Anthology.
          • Ed. Hwa Yol Jung.
          • Lexington Press,
          • 2002.
          • 109-136.
          • Reprint.
          • R. Chow.
          • "Theory, Area Studies, Cultural Studies: Issues of Pedagogy in Multiculturalism."
          • Learning Places: the Afterlives of Area Studies.
          • Ed. M. Miyoshi & H. Harootunian.
          • Duke University Press,
          • 2002.
          • 103-118.
          • Reprint.
          • R. Chow.
          • "On Chineseness as a Theoretical Problem."
          • Philosophies of Race and Ethnicity.
          • Ed. P. Osborne & S. Sandford.
          • Contiuum Press,
          • 2002.
          • 132-149.
          • Reprint.
          • R. Chow.
          • "Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies."
          • Orientations: Mapping Studies in the Asian Diaspora.
          • Ed. K. Shimakawa & K. Chuh.
          • Duke University Press,
          • 2001.
          • 189-212.
          • Introduction reprinted..
          • R. Chow.
          • "Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema."
          • Post-war Cinema and Modernity: A Film Reader.
          • Ed. J. Orr & O. Taxidou.
          • New York University Press,
          • 2001.
          • 384-398.
          • Part 2, Chapter 4 excerpted and reprinted..
          • R. Chow.
          • "Violence in the Other Country: China as Crisis, Spectacle, and Woman."
          • Theorizing Feminism: Parallel Trends in the Humanities and Social Sciences.
          • Ed. A.C. Herrmann & A.J. Stewart.
          • Westview Press,
          • 2001.
          • 345-364.
          • Reprint..
          • R. Chow.
          • "A Souvenir of Love."
          • At Full Speed: Hong Kong Cinema in a Borderless World.
          • Ed. E. Yau.
          • University of Minnesota Press,
          • 2001.
          • 209-229.
          • Reprint.
          • R. Chow.
          • "King Kong in Hong Kong: Watching the ‘Handover,’ from the USA."
          • Whither China? Intellectual Politics in Contemporary China.
          • Ed. X. Zhang.
          • Duke University Press,
          • 2001.
          • 211-227.
          • R. Chow.
          • "Nostalgia of the New Wave: Structure in Wong Kar-wai’s 'Happy Together'."
          • Keyframes: Popular Film and Cultural Studies.
          • Ed. M. Tinkcom & A. Villarejo.
          • Routledge,
          • 2001.
          • 228-241.
          • Reprint.
          • R. Chow.
          • "When Whiteness Feminizes … : Some Consequences of a Supplementary Logic."
          • Unpacking Europe.
          • Ed. S. Hassan & I. Dadi.
          • NAi Publishers,
          • 2001.
          • 152-174.
          • R. Chow.
          • "Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema."
          • Reinventing Film Studies.
          • Ed. L. Williams & C. Gledhill.
          • Edward Arnold,
          • 2000.
          • 402-418.
          • (Part 2, Chapter 1 excerpted and modified.)
          • R. Chow.
          • "Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema."
          • Postcolonialism: Critical Concepts, Part V.
          • Ed. Diana Brydon.
          • Routledge,
          • 2000.
          • 1929-1956.
          • Part 3 reprinted..
          • R. Chow.
          • "Love Me, Master; Love Me, Son’: A Cultural Other Pornographically Constructed in Time."
          • Feminism and Pornography.
          • Ed. D. Cornell.
          • Oxford University Press,
          • 2000.
          • 509-524.
          • Reprint.
          • R. Chow.
          • "The Seductions of Homecoming: Place, Authenticity, and Chen Kaige’s 'Temptress Moon'."
          • in Cross-Cultural Readings of Chineseness: Narratives, Images, and Interpretations of the 1990s.
          • Ed. W. Yeh.
          • UC Berkeley Institute of E. Asian Studies,
          • 2000.
          • 8-26.
          • Reprint.
          • R. Chow.
          • "Film and Cultural Identity."
          • Film Studies: Critical Approaches.
          • Ed. J. Hill & P.C. Gibson.
          • Oxford University Press,
          • 2000.
          • 167-173.
          • R. Chow.
          • "King Kong in Hong Kong: Watching the ‘Handover,’ from the USA."
          • A Companion to Postcolonial Studies.
          • Ed. H. Schwarz & S. Ray.
          • Blackwell,
          • 2000.
          • 304-318.
          • R. Chow.
          • "Gender and Representation."
          • Feminist Consequences: Theory for a New Century.
          • Ed. M. Kavka & E. Bronfen.
          • Columbia University Press,
          • 2000.
          • 38-57.
          • R. Chow.
          • "Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema."
          • Literary Theories: A Reader and Guide.
          • Ed. Julian Wolfreys.
          • Edinburgh Press/New York University Press,
          • 1999.
          • 499-516.
          • Part 3 reprinted..
          • R. Chow.
          • "The Politics of Admittance: Female Sexual Agency, Miscegenation, and the Formation of Community in Frantz Fanon."
          • Frantz Fanon: Critical Perspectives.
          • Ed. A. Alessandrini.
          • Routledge,
          • 1999.
          • 34-56.
          • Reprint..
          • R. Chow.
          • "Jiqiao, meixue shikong, nüxing zuojia — cong Zhang Ailing de ‘Fengsuo’ tan qi."
          • Yuedu Zhang Ailing guoji yantaohui lunwenji.
          • Ed. Yang Ze.
          • Taipei: Ryefield Publishing,
          • 1999.
          • 161-176.
          • R. Chow.
          • "Woman and Chinese Modernity: The Politics of Reading Between West and East."
          • Literary Theory: An Anthology, ed. M. Ryan and J. Rivkin,.
          • Ed. M. Ryan & J. Rivkin.
          • Blackwell,
          • 1998.
          • 958-969.
          • Excerpt from Chapter 2 reprinted..
          • R. Chow.
          • "The Age of the World Target: On the 50th Anniversary of the Dropping of the Atomic Bomb."
          • in America’s Wars in Asia: A Cultural Approach to History and Memory.
          • Ed. Philip West et al..
          • M.E. Sharpe,
          • 1998.
          • 205-220.
          • Reprint.
          • R. Chow.
          • "Film and Cultural Identity."
          • The Oxford Guide to Film Studies.
          • Ed. J. Hill & P.C. Gibson.
          • Oxford University Press,
          • 1998.
          • 169-175.
          • R. Chow.
          • "The Age of the World Target: On the 50th Anniversary of the Dropping of the Atomic Bomb."
          • Mass Culture and Everyday Life: A Tabloid Reader.
          • Ed. Peter Gibian.
          • Routledge,
          • 1997.
          • 91-107.
          • R. Chow.
          • "Listening Otherwise, Music Miniaturized: A Different Type of Question about Revolution."
          • Doing Cultural Studies: The Story of the Sony Walkman.
          • Ed. Paul du Gay et al..
          • Open University Press,
          • 1997.
          • 135-140.
          • Excerpted and reprinted.
          • R. Chow.
          • "Theory, Area Studies, Cultural Studies: Issues of Pedagogy in Multiculturalism."
          • A Question of Discipline: Pedagogy, Power, and the Teaching of Cultural Studies.
          • Ed. J. Canaan & D. Epstein.
          • Westview Press,
          • 1997.
          • 11-26.
          • R. Chow.
          • "Bulunbulei de youhuo — mantan Chen Kaige dianying Feng yue zhong de aimeixing."
          • Identity, Difference and Subjectivity.
          • Comparative Literature Institute, Fujen University / Lixu Publishing,
          • 1997.
          • 217-236.
          • R. Chow.
          • "Where Have All the Natives Gone?."
          • Contemporary Postcolonial Theory: A Reader.
          • Ed. P. Mongia.
          • Edward Arnold,
          • 1996.
          • 122-146.
          • Reprint.
          • R. Chow.
          • "The Dream of a Butterfly."
          • Human, All Too Human (Papers from the English Institute).
          • Ed. Diana Fuss.
          • Routledge,
          • 1996.
          • 61-92.
          • Reprinted in _Asian American Literature, v.1: Literary History: Theory and Criticism_, ed. D.L. Li, Routledge, 2012.
          • R. Chow.
          • "Women in the Holocene: Ethnicity, Fantasy, and the Film 'The Joy Luck Club'."
          • Feminisms and Pedagogies of Everyday Life.
          • Ed. Carmen Luke.
          • Albany NY: SUNY Press,
          • 1996.
          • 204-221.
          • R. Chow.
          • "Cavando un Viejo Pozo: El Trabajo de la Fantasia Social."
          • Feminismo y Teoría Fílmica.
          • Ed. Giulia Colaizzi.
          • Ediciones Episteme S.L.,
          • Madrid: Colección EUTOPÍAS/MAIOR,
          • 1995.
          • 135-161.
          • trans. M. Talens.
          • R. Chow.
          • "Where Have All the Natives Gone?."
          • Displacements: Cultural Identities in Question.
          • Ed. Angelika Bammer.
          • Indiana University Press,
          • 1994.
          • 125-151.
          • R. Chow.
          • "Love Me, Master; Love Me, Son’: A Cultural Other Pornographically Constructed in Time."
          • Boundaries in China.
          • Ed. John Hay.
          • London: Reaktion Books Limited Publishers,
          • 1994.
          • 243-256.
          • R. Chow.
          • "In the Name of Comparative Literature."
          • Comparative Literature in the Age of Multiculturalism.
          • Ed. Charles Bernheimer.
          • Johns Hopkins University Press,
          • 1994.
          • 107-116.
          • R. Chow.
          • "Rereading Mandarin Ducks and Butterflies: A Response to the ‘Postmodern’ Condition."
          • Postmodernism: A Reader.
          • Ed. Thomas Docherty.
          • Harvester Wheatsheaf,
          • 1993.
          • 471-489.
          • Reprint.
          • R. Chow.
          • "Virtuous Transactions: A Reading of Three Stories by Ling Shuhua."
          • Gender Politics in Modern China: Writing and Feminism.
          • Ed. Tani Barlow.
          • Duke University Press,
          • 1993.
          • 90-105.
          • Reprint.
          • R. Chow.
          • "It’s you, and not me’: Domination and ‘Othering’ in Theorizing the ‘Third World'."
          • American Feminist Thought at Century’s End: A Reader.
          • Ed. Linda Kauffman.
          • Basil Blackwell,
          • 1993.
          • 95-106.
          • Reprint.
          • R. Chow.
          • "Listening Otherwise, Music Miniaturized: A Different Type of Question about Revolution."
          • Cultural Studies Reader.
          • Ed. Simon During.
          • Routledge,
          • 1993.
          • 382-399.
          • Reprint.
          • R. Chow.
          • "Male Narcissism and National Culture: Subjectivity in Chen Kaige’s 'King of the Children'."
          • Male Trouble.
          • Ed. Constance Penley & Sharon Willis.
          • University of Minnesota Press,
          • 1993.
          • 87-118.
          • Reprint.
          • R. Chow.
          • "Male Narcissism and National Culture: Subjectivity in Chen Kaige’s 'King of the Children'."
          • in From May Fourth to June Fourth: Fiction and Film in Twentieth-Century China.
          • Ed. Ellen Widmer & David Wang.
          • Harvard University Press,
          • 1993.
          • 327-359.
          • Reprint.
          • R. Chow.
          • "Against the Lures of Diaspora: Minority Discourse, Chinese Women, and Intellectual Hegemony."
          • Gender and Sexuality in 20th-Century Chinese Literature and Society.
          • Ed. Tonglin Lu.
          • Albany NY: SUNY Press,
          • 1993.
          • 23-45.
          • R. Chow.
          • "Postmodern Automatons."
          • Feminists Theorize the Political.
          • Ed. Joan Scott & Judith Butler.
          • Routledge,
          • 1992.
          • 101-117.
          • R. Chow.
          • "Entry on “Race/Imperialism"."
          • Psychoanalysis and Feminism: A Critical Dictionary.
          • Ed. Elizabeth Wright.
          • Basil Blackwell,
          • 1992.
          • 361-364.
          • R. Chow.
          • "Violence in the Other Country: China as Crisis, Spectacle, and Woman."
          • Third World Women and the Politics of Feminism.
          • Ed. Chandra Mohanty et al..
          • Indiana University Press,
          • 1991.
          • 81-100.
          • R. Chow.
          • "Autòmatas postmodernos."
          • Feminismo y Teoría del Discurso.
          • Colección Teorema,
          • Madrid: Ediciones Cátedra,
          • 1990.
          • 67-85.
          • R. Chow.
          • "It’s you, and not me’: Domination and ‘Othering’ in Theorizing the ‘Third World'."
          • Coming to Terms: Feminism/Theory/Politics.
          • Ed. Elizabeth Weed.
          • Routledge,
          • 1989.
          • 152-161.
          • R. Chow.
          • "Mandarin Ducks and Butterflies: Female Melancholy as Fiction and Commodity."
          • Western Conference of the Association for Asian Studies Selected Papers in Asian Studies.
          • New Series,
          • 21
          • .1-11
          • 1986.
      • Introductions, Forewords and Afterwords

          • R. Chow.
          • "Afterword: Liquidity of Being."
          • The Chinese Cinema Book.
          • Ed. S.H. Lim and J. Ward.
          • British Film Institute/Palgrave MacMillan,
          • 2011.
          • 194-99.
          • R. Chow.
          • "Preface."
          • China Abroad.
          • Ed. E. Ho & J. Kuehn.
          • Hong Kong: Hong Kong University Press,
          • 2009.
          • ix-xii.
          • R. Chow.
          • "Afterword."
          • Cosmopatriots: on Distant Belongings and Close Encounters.
          • Ed. E. Jurriëns & J. de Kloet.
          • Amsterdam and New York: Rodopi,
          • 2008.
          • 291-294.
          • R. Chow.
          • "Foreword: An Ethics of Consumption."
          • Leung Ping Kwan, Travelling with a Bitter Melon (Selected Poems 1973-1998).
          • Ed. Martha P.Y. Cheung.
          • Asia 2000 Publishing,
          • 2002.
          • 9-17.
      • Interviews

          • R. Chow.
          • "Unacceptable Suffering: Rey Chow on Michael Haneke."
          • Asian American Writers' Workshop
          • January 24
          • (2013)
          • .
          • (online journal, interview conducted by Jennifer Pan)
          • Paul Bowman.
          • "Interview with Rey Chow."
          • Social Semiotics (special issue: Rey Chow and Postcolonial Social Semiotics)
          • 20
          • .4
          • UK:
          • (2010)
          • :
          • 457-67.
          • Mena Mitrano.
          • "On Diaspora, Coerced Mimeticism, and Surfaces: An Interview with Rey Chow."
          • Anglistica
          • 4
          • .2
          • Naples, Italy:
          • (2000)
          • :
          • 187-208.
          • Hampton Research Group on Place and Discipline (University of British Columbia).
          • "Moving Spaces/Firm Groundings: An Interview with Rey Chow."
          • Environment and Planning D: Society and Space
          • 15
          • (1997)
          • :
          • 509-32.
      • Translation of a Book

          • R. Chow.
          • The Age of the World Target: Self-Referentiality in War, Theory, and Comparative Work.
          • Tokyo: Hosei University Press,
          • 2014.
          • R. Chow.
          • Ethics after Idealism: Theory--Culture--Ethnicity--Reading. Chinese translation, trans. Wu Qiong.
          • Zhengzhou, People's Republic of China:
          • Henan University Press,
          • 2013.
          • R. Chow.
          • Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility.
          • Taipei: Ryefield Publishing Co.,
          • 2012.
          • R. Chow.
          • The Age of the World Target: Self-Referentiality in War, Theory, and Comparative Work.
          • Taipei: Ryefield Publishing Co.,
          • 2011.
          • R. Chow.
          • The Age of the World Target: Self-Referentiality in War, Theory, and Comparative Work.
          • Izvor/Critique and Humanism,
          • Sofia, Bulgaria:
          • 2010.
          • R. Chow.
          • Woman and Chinese Modernity: The Politics of Reading Between West and East.
          • Shanghai: Sanlian Publishing Co.,
          • 2008.
          • R. Chow.
          • The Age of the World Target: Self-Referentiality in War, Theory, and Comparative Work.
          • Rome: Meltemi Editore,
          • 2007.
          • R. Chow.
          • Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies.
          • Seoul: Yeesan,
          • 2005.
          • R. Chow.
          • Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema.
          • Seoul: Yeesan,
          • 2004.
          • R. Chow.
          • Woman and Chinese Modernity: The Politics of Reading Between West and East.
          • Tokyo, Japan: Misuzu Shobo Publishing Company,
          • 2003.
          • R. Chow.
          • Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema.
          • Taipei: Yuan-Liou,
          • 2001.
          • R. Chow.
          • Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema.
          • Tokyo: Seido Sha,
          • 1999.
          • R. Chow.
          • Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies.
          • Tokyo: Seido Sha,
          • 1998.
          • R. Chow.
          • Woman and Chinese Modernity: The Politics of Reading Between West and East.
          • Taipei, Taiwan: Ryefield Publishing Company,
          • 1995.
      • Translation in a Journal

          • R. Chow.
          • "Postcolonial Visibilities."
          • Zeitschrift fur Medienwissenschaft
          • 2
          • (2013)
          • :
          • 132-45.
          • Reprint and translation in German..
          • R. Chow.
          • "Sacrifice, Mimesis, and the Theorizing of Victimhood.."
          • Problemi
          • 9
          • (2012)
          • :
          • 161-190.
          • (Slovene translation, trans. Maja Lovrenov.)
          • R. Chow.
          • "Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema."
          • DeSignis
          • .
          • Ed. P. Calefato & P. Godayol.
          • Special issue on Traducción/Género/Postcolonialismo,
          • 12
          • (2008)
          • :
          • 145-158.
          • Spanish translation of excerpt from Part 3, “Traducción como ‘resistencia cultural,’” trans. M. De Marco,.
          • R. Chow.
          • "Visualità filmica e identità cultural."
          • Anglistica
          • 11
          • .1-2
          • (2007)
          • :
          • 15-22.
          • Translation of 'Film and cultural identity', trans M.R. D’agostino.
          • R. Chow.
          • "The Protestant Ethnic and the Spirit of Capitalism."
          • Sociological Problems
          • 1-2
          • (2006)
          • :
          • 74-101.
          • Bulgarian translation of Introduction and excerpts from Chapter 1, trans. T. Hristov..
          • R. Chow.
          • "A Pain in the Neck, a Scene of ‘Incest,’ and Other Enigmas of an Allegorical Cinema: Ts’ai Ming-liang’s 'The River'."
          • Chungwai Literary Monthly (Taipei)
          • 33
          • .8
          • (January, 2005)
          • :
          • 177-192.
          • Chinese translation, trans. Wang Yun.
          • R. Chow.
          • "Sentimental Returns: On the Uses of the Everyday in the Recent Films of Zhang Yimou and Wong Kar-wai."
          • Chungwai Literary Monthly (Taipei)
          • 33
          • .5
          • (October, 2004)
          • :
          • 159-174.
          • Chinese translation, trans. He Shuwe.
          • R. Chow.
          • "Huanying xuemen."
          • Chungwai Literary Monthly
          • 30
          • .12
          • (May, 2002)
          • :
          • 130-149.
          • Translation of 'A Phantom Discipline', trans. K. Lim.
          • R. Chow.
          • "Meigui de gushi."
          • Chungwai Literary Monthly
          • 30
          • .10
          • (March, 2002)
          • :
          • 135-155.
          • Chinese translation of 'Seminal Dispersal, Fecal Retention, and Related Narrative Matters: Eileen Chang’s Tale of Roses in the Problematic of Modern Writing', trans. Poca Liu.
          • R. Chow.
          • "The Secrets of Ethnic Abjection."
          • Shiso
          • 928
          • (August 5, 2001)
          • :
          • 45-67.
          • Japanese translation of 'The Secrets of Ethnic Abjection', trans. T. Motohash.
          • R. Chow.
          • "Playing on the Air: Recollections of a Hong Kong Childhood."
          • Ming Pao Monthly
          • 33
          • .8
          • (August, 1998)
          • :
          • 82-85.
          • Excerpt of Chinese translation.
          • R. Chow.
          • "Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies."
          • Shiso
          • 859
          • .1
          • (1996)
          • :
          • 51-81.
          • Japanese translation of Chapter II..
          • R. Chow.
          • "Zhiminzhe yu zhiminzhe zhi jian: jiushi niandai xianggang de hou zhimin zi chuang."
          • Jintian (Today)
          • 1
          • (1995)
          • :
          • 185-206.
          • Translation of 'Between Colonizers: Hong Kong’s Postcolonial Self-Writing in the 1990s', trans. K.C. Lo..
          • R. Chow.
          • "Un souvenir d’amour."
          • Cinémas
          • (Spring, 1993)
          • :
          • 157-180.
          • Translation of 'A Souvenir of Love', trans. Marie-Claire Huot.
          • R. Chow.
          • "Aiqing xinwu."
          • Wenhua pinglun (Cultural Criticism)
          • 2
          • (1993)
          • :
          • 21-40.
          • Translation of 'A Souvenir of Love', trans. K.C. Lo.
          • R. Chow.
          • "Xianliang shude de jiaoyi – yuedu Ling Shuhua de san pian xiaoshuo."
          • Nüxing ren (W-M Semi-Annual)
          • 4
          • (1990)
          • :
          • 108-126.
          • Translation of 'Virtuous Transactions: A Reading of Three Stories by Ling Shuhua' trans. Kwan-mun Kwok..
      • Translation in a Collection

          • R. Chow.
          • "The Age of the World Target: Self-Referentiality in War, Theory, and Comparative Work, chapter 3."
          • Literatura europea comparada.
          • Ed. Cesar Dominguez.
          • Madrid:
          • Arcos Libros, S.L.,
          • 2013.
          • 147-75.
          • R. Chow.
          • "After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications."
          • Ton. Texte zur Akustik im Documentarfilm.
          • Ed. V. Kamensky and J. Rohrhuber.
          • Berlin:
          • Verlag Vorwerk 8,
          • 2013.
          • 194-211.
          • Reprint and translation in German.
          • R. Chow.
          • "Film and Cultural Identity."
          • Identitaten in Bewegung/Migration in Film.
          • Ed. B. Donnerlein and E. Frietsch.
          • Bielefeld:
          • transcript,
          • 2011.
          • 19-32.
          • R. Chow.
          • "Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema, Part 2, Chapter 4."
          • Der chinesische Kino nach der Kulturrevolution: Theorien und Analysen.
          • Ed. K. Sierek & G. Kirsten.
          • Schüren,
          • 2011.
          • 175-209.
          • R. Chow.
          • "Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility."
          • Kritik des Okzidentalismus: transdisziplinäre Beiträge zu (Neo-)Orientalismus und Geschlecht.
          • Ed. G. Dietze et al..
          • Bielefeld: transcript Verlag,
          • 2009.
          • 295-308.
          • Chapter 8 reprinted in German, trans. S. Strick..
          • R. Chow.
          • "Huanying xuemen."
          • Visual Culture and Critical Theory II.
          • Ed. Joyce C.H. Liu.
          • Taipei: Ryefield,
          • 2006.
          • 21-36.
          • Translation of "A Phantom Discipline', trans. K. Lim.
          • R. Chow.
          • "Sentimental Returns: On the Uses of the Everyday in the Recent Films of Zhang Yimou and Wong Kar-wai."
          • Visual Culture and Critical Theory II.
          • Ed. Joyce C.H. Liu.
          • Taipei: Ryefield,
          • 2006.
          • 51-94.
          • Chinese translation, trans. He Shuwei.
          • R. Chow.
          • "Lilun de kangju."
          • Visual Culture and Critical Theory II.
          • Ed. Joyce C.H. Liu.
          • Taipei: Ryefield,
          • 2006.
          • 37-50.
          • Translation of 'The Resistance of Theory; or, the Worth of Agony', trans. Cai Xiuzhi.
          • R. Chow.
          • "Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema."
          • Frontiere: Il cinema e le narrazioni dell’identità.
          • Ed. F. Giovannelli.
          • Bulzoni editore,
          • 2005.
          • 93-118.
          • Italian translation of Part 3..
          • R. Chow.
          • "Sessualità e migrazione delle donne."
          • La Nuova Shahrazad: Donne e Multiculturalismo.
          • Ed. L. Curti et al..
          • Napoli: Liguori editore,
          • 2004.
          • 23-39.
          • Translation of 'Sexuality', trans. Serena Guarracino.
          • R. Chow.
          • "Eine Ethik des Konsumierens."
          • Heft
          • .
          • Wien:Springerin Band VIII,
          • (April, 2002)
          • :
          • 24-27.
          • Translation of 'Foreward: An Ethics of Consumption', trans. Anja Schulte.
          • R. Chow.
          • "Things, Common/Places, Passages of the Port City: On Hong Kong and Hong Kong Author Leung Ping-kwan."
          • Hong Kong Literature as/and Cultural Studies.
          • Ed. Y.W. Chu & E. Cheung.
          • Hong Kong: Oxford University Press,
          • 2001.
          • 187-207.
          • Chinese translation and reprint.
          • R. Chow.
          • "Xianggang, tongnian diandi."
          • Literary Theory and Popular Culture, 1940s-1960s.
          • Ed. Peng Hsiao-yen.
          • Academica Sinica,
          • 2000.
          • 379-396.
          • Revision and translation of 'Playing on the Air: Recollections of a Hong Kong Childhood'.
          • R. Chow.
          • "Nanxing zilian yü guojia minzu wenhua: Chen Kaige Haizi wang zhong de zhu ti xing."
          • Wenhua piping yu huayu dianying.
          • Ed. William Tay.
          • Taipei: Ryefield Publishing,
          • 1995.
          • 95-137.
          • Translation of 'Male Narcissism and National Culture: Subjectivity in Chen Kaige’s 'King of the Children', trans. Kwai-cheung Lo and Kwan-mun Kwok.
          • R. Chow.
          • "Media, materia, migraciones."
          • EUTOPÍAS, 2a época, Documentos de trabajo.
          • 39
          • Centro de Semiótica y Teoría del espectáculo, Universitat de València & Asociación Vasca de Semiótica,,
          • 1994.
          • 24 pages.
          • trans. Manuel Talens.
          • R. Chow.
          • "Narcissisme masculin et culture nationale: Subjectivité dans Le roi des enfants de Chen Kaige."
          • CinémAction, (20 ans de théories féministes sur le cinéma).
          • 67
          • 1993.
          • 85-91.
          • Translation of 'Male Narcissism and National Culture: Subjectivity in Chen Kaige’s 'King of the Children', trans. B. Reynaud.
      • Reviews

          • R. Chow.
          • Stories and Politics,” Review article on Michael Hanne, The Power of the Story: Fiction and Political Change.
          • NOVEL: A Forum on Fiction 29.2
          • 29
          • .2
          • (Winter, 1996)
          • :
          • 262-265.
          • R. Chow.
          • Review article on Alan Wolfe, Suicidal Narrative in Modern Japan.
          • Comparative Literature
          • 45
          • .3
          • (Summer, 1993)
          • :
          • 297-300.
          • R. Chow.
          • Sextual Strategies,” review article on Mieke Bal’s Lethal Love: Feminist Readings of Biblical Love Stories.
          • Semiotica
          • 75
          • .3/4
          • (1989)
          • :
          • 335-344.
          • R. Chow.
          • How Westerners See the Orient” (in Chinese), review of Malek Alloula’s The Colonial Harem, trans. Wlad Godzich and Myrna Godzich, and of Rana Kabbani’s Europe’s Myths of Orient.
          • Jiuzhou Xuekan (Chinese Culture Quarterly)
          • 2
          • .2
          • (1988)
          • :
          • 79-84.
  • Old typewriter Image