N. Katherine Hayles
James B. Duke Distinguished Professor Emerita of Literature
Digital Humanities; Electronic Literature; Literature, Science, and Technology; Science Fiction; Critical Theory
- Ph.D., University of Rochester 1977
- M.A., Michigan State University 1970
- M.S., California Institute of Technology 1969
- B.S., Rochester Institute of Technology 1966
Hayles, N. K. The cosmic web: Scientific field models and literary strategies in the twentieth century. 2018, pp. 1–208.
Hayles, N. K. Unthought: The Power of the Cognitive Nonconscious. University of Chicago Press, 2017.
Hayles, N. K. Foreword: Why #WomenTechLit? 2017, pp. ix–xii.
Hayles, N. Katherine, and Jessica Pressman, editors. Comparative Textual Media: Transforming the Humanities in the Postprint Era. University of Minnesota Press, 2013.
Hayles, N. K. How We Think: Digital Media and Contemporary Technogenesis. University of Chicago Press, 2012.
Hayles, N. K. Electronic Literature: New Horizons for the Literary. University of Notre Dame Press, 2008.
Hayles, N. K. My Mother Was a Computer: Digital Subjects and Literary Texts. University of Chicago Press, 2005.
Ine Hayles, N. K. Nanoculture: Implications of the new technoscience. 2004, pp. 1–257.
Hayles, N. K. “The cognitive nonconscious and the new materialisms.” The New Politics of Materialism: History, Philosophy, Science, 2017, pp. 181–99. Scopus, doi:10.4324/9781315268477. Full Text
Hayles, N. K. “Influences of the digital.” Postmodern/Postwar and After: Rethinking American Literature, 2016, pp. 209–15.
Hayles, N. K. “Beyond Human Scale: Steve Tomasula's "The Book of Portraiture".” Steve Tomasula: The Art and Science of New Media Fiction, Bloomsbury, 2015.
Hayles, Katherine. “The Cognitive Nonconscious and the Larger Landscape.” Beyond the Humanities and the Digital, edited by Patrik Svensson and David Theo Goldberg, MIT Press, 2014.
Hayles, N. K. “Unfinished work: From cyborg to cognisphere.” Architectural Theories of the Environment: Posthuman Territory, 2013, pp. 37–43.
Hayles, N. K., and Todd Gannon. “Virtual, Actual, Ineffable: Architecture and Media in the Age of Computation.” Ineffable: Architecture, Computation, and the Inexpressable, edited by Bradley Horn, Oscar Riera Ojeda, 2013, pp. 58–71.
Hayles, N. K. “How we think: Transforming power and digital technologies.” Understanding Digital Humanities, 2012, pp. 42–66. Scopus, doi:10.1057/9780230371934. Full Text
Hayles, Katherine, and Nick Montfort. “Interactive Fiction.” Routledge Companion to Experimental Literature, edited by Joe Bray et al., Routledge, 2012.
Hayles, N. K. “Human and machine cultures of reading: A cognitive-assemblage approach.” Pmla, vol. 133, no. 5, Oct. 2018, pp. 1225–42. Scopus, doi:10.1632/pmla.2018.133.5.1225. Full Text
Hayles, N. Katherine. “Cognitive Assemblages: Technical Agency and Human Interactions.” Critical Inquiry, vol. 43, no. 1, University of Chicago Press, Sept. 2016, pp. 32–55. Crossref, doi:10.1086/688293. Full Text
Hayles, N. K. “The cognitive nonconscious: Enlarging the mind of the humanities.” Critical Inquiry, vol. 42, no. 4, June 2016, pp. 783–808. Scopus, doi:10.1086/686950. Full Text
Hayles, N. K. “Brain imaging and the epistemology of vision: Daniel Suarez's daemon and freedom.” Mfs Modern Fiction Studies, vol. 61, no. 2, June 2015, pp. 320–34. Scopus, doi:10.1353/mfs.2015.0025. Full Text
N. Katherine Hayles, Micah A. “Greg Egan's Quarantine and Teranesia: Contributions to the Millennial Reassessment of Consciousness and the Cognitive Nonconscious.” Science Fiction Studies, vol. 42, no. 1, SF-TH, Inc., 2015, pp. 56–56. Crossref, doi:10.5621/sciefictstud.42.1.0056. Full Text
Hayles, Katherine, et al. “Speculation: Financial Games and Derivative Worlding in a Transmedia Era.” Critical Inquiry, vol. 40, no. 3, 2014, pp. 220–36.
Hayles, N. K. “Cognition Everywhere: The Rise of the Cognitive Nonconscious and the Costs of Consciousness.” New Literary History, vol. 45, no. 2, Johns Hopkins University Press, 2014, pp. 199–220. Manual, doi:10.1353/nlh.2014.0011. Full Text
Hayles, N. K. “Deeper into the Machine: Learning to Speak Digital.” State of the Arts: The Proceedings of the Electronic Literature Organization’S 2002 State of the Arts Symposium, edited by S. Rettberg, Electronic Literature Organizaton, 2002, pp. 13–38.