James B. Duke Professor of Literature
Toril Moi has three broad areas of interest: feminist theory and women's writing; the intersection of literature, philosophy and aesthetics; and ordinary language philosophy in the tradition of Wittgenstein, Cavell and Austin.
Toril Moi also works on theater. In her work on literature and theater she is particularly interested in the emergence of modernism in the late 19th century and early 20th century.
Her books include Sexual/Textual Politics: Feminist Literary Theory (1985; 2nd edition 2002), Simone de Beauvoir: The Making of an Intellectual Woman (1994; second edition with a major new introduction 2008); and What Is a Woman? And Other Essays (1999), republished in a shorter version as Sex, Gender and the Body (2005). She is the editor of The Kristeva Reader (1986), and of French Feminst Thought (1987).
In 2006, Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosphy, was published in English by Oxford University Press and in Norwegian by Pax Forlag (Oslo). The book won the MLA's Aldo and Jeanne Scaglione Prize for the best book in Comparative Literary Studies in 2007. It is now available in paperback.
Toril Moi now works on three projects: (1) The Emergence of European Modernism 1870-1914; (2) Femisist Theory and Women Writers; and (3) "Pictures of Language": on the vision of language in ordinary language philosophy. She also continues to work on Henrik Ibsen's plays.
Toril Moi enjoys working with students at all levels. She won Duke's Univeristy Scholar/Teacher of the Year Award in 1998, and the Dean's Award for Excellence in Mentoring of Graduate Students in 2008.
In her native Norway, Toril Moi writes a regular column for the cultural newspaper Morgenbladet.
- Dr. Art., University of Bergen 1985
- Mag. art., University of Bergen 1980
Moi, T. Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy. Oxford University Press, 2006.
Moi, T. Sex, Gender and the Body: The Student Edition of What Is a Woman?. Oxford and New York: Oxford University Press, 2005.
Moi, T. What Is a Woman? and Other Essays. Oxford University Press, 1999.
Moi, T. Simone de Beauvoir: The Making of an Intellectual Woman. Blackwell, 1994.
Various, J. French Feminist Thought. Edited by T. Moi, Blackwell, 1987.
Kristeva, Julia. The Kristeva Reader. Edited by Toril Moi, Oxford: Blackwell, and New York: Columbia, 1986.
Moi, T. Sexual/Textual Politics: Feminist Literary Theory. Methuen, 1985.
Moi, T. “Hedda’s words: The work of language in Hedda Gabler.” Ibsen’s Hedda Gabler: Philosophical Perspectives, 2017, pp. 152–73. Scopus, doi:10.1093/oso/9780190467876.003.0008. Full Text
Moi, T. “'Nothing Is Hidden’: From Confusion to Clarity, Or Wittgenstein on Critique.” Rethinking Critique, edited by E. Anker and R. Felski, Duke University Press, 2016.
Moi, T. “‘Øyeblikkets bedrageriske fylde’: Handling, språk og eksistens i Liv Køltzows forfatterskap.” Å Forsvinne i Teksten, edited by L. Køltzow and H. P. Blad, Flamme Forlag, 2015.
Moi, T. “Stumhet og kjærlighet: En lesning av Amtmandens Døttre [Muteness and Love: A Reading of The District Governor’s Daughters]..” Å Bli En Stemme: Nye Studier i Camilla Colletts Forfatterskap, edited by Trond Haugen, Novus Forlag, 2014, pp. 33–54.
Moi, T. “Ibsen’s Late Style.” Henrik Ibsen, The Master Builder and Other Plays, Penguin Books, 2014.
Moi, T. “’Something That Might Resemble a Kind of Love’: Fantasy and Realism in Henrik Ibsen’s Little Eyolf.” Understanding Love Through Philosophy, Film, and Fiction, Ed. Susan Wolfe and Christopher Grau, Oxford University Press, 2013, pp. 185–208.
Moi, T. “‘To Make them Other, and Face Them’: Literature, Philosophy and ‘La Femme rompue’.” Women, Genre and Circumstance: Essays in Memory of Elizabeth Fallaize, edited by Margaret Atack et al., Oxford: Legenda, 2012, pp. 11–24.
Moi, T. “Thinking through Examples: What Ordinary Language Philosophy Can Do for Feminist Theory.” New Literary History, vol. 46, no. 3, Johns Hopkins University Press, June 2015.
Moi, T. “Thinking through examples: What ordinary language philosophy can do for feminist theory.” New Literary History, vol. 46, no. 2, Mar. 2015, pp. 191–216. Scopus, doi:10.1353/nlh.2015.0014. Full Text
Moi, T. “Afterword: How the French Read.” New Literary History, vol. 44, 2013, pp. 299–314.
Moi, T. “Shame and Openness: On Karl Ove Knausgård.” Salmagundi Magazine, translated by T. Moi and A. F. Lunde, vol. 107, no. Winter, 2013, pp. 205–10.
Moi, Toril. “Hedda's Silences: Beauty and Despair in Hedda Gabler.” Modern Drama, vol. 56, no. 4, 2013, pp. 434–56. Wos-lite, doi:10.3138/md.S89. Full Text
Toril, M. “Henrik Ibsen and idealism: Rethinking literary history of the XIX century.” Etudes Germaniques, vol. 62, no. 4, Dec. 2007, pp. 915–32.
Dupont, N., and T. Moi. “The poetic piping of Christian Prigent: Ventiloquits framework and glottic phrase.” Contemporary French and Francophone Studies, vol. 10, no. 2, Dec. 2006, pp. 127–40. Scopus, doi:10.1080/17409290600560229. Full Text
MOI, T. “ANOTHER COLETTE - THE QUESTION OF GENDERED WRITING - HUFFER,L.” French Forum, vol. 20, no. 2, May 1995, pp. 250–52.